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|"I thought you might like to hear my reaction to the rehearsal I attended earlier this week. In a word, brilliant! It was so refreshing to see the whole choir listen and respond to the conductor throughout the rehearsal. The standard, too, was dauntingly high. I would like to apply for an audition."|
The best way to join the choir is to begin rehearsing with us when we start a new programme, which is usually (but not always) at the beginning of a term. For 2017/18, we start new programmes in 2017 on 6 September, and in 2018 on 3 January and 11 April. If you like what you see and hear, you will be able to attend an audition session a few weeks into term with others who would like to join. Our FAQ sheet probably answers most of the questions you might have about singing with the choir, and there is more information about auditions below, but please get in touch if you have other queries. If you wish to visit later in the term, with a view to joining the choir, we will also arrange that for you at a suitable point in the programme.
To arrange a visit to a rehearsal, or for other information, please contact info[at]birmingham.bachchoir.com - and please mention what voice part you sing!
We rehearse every Wednesday from 7.15pm to 9.30pm in Edgbaston. Our rehearsal hall has plenty of free car parking.
Auditions consist of:
We can vouch for the friendliness of our choir, but let the Birmingham Post speak for our musicianship in performance:
“Performing Britten's 'A Boy was Born' must be rather like taking part in an Olympic Decathlon: you need stamina, technical command, awesome breath-control, agility and loads of nerve. The Birmingham Bach Choir breasted the tape after an impressive display of discipline, concentration and resource”.
Bach’s 'B minor Mass' in Symphony Hall:
“Conductor Paul Spicer has trained these highly committed amateurs to sing as though members of one of the tiny chamber choirs he directs so brilliantly. Phrasing is supple and almost instrumental…”
Mozart 'Requiem' and Haydn's 'Nelson Mass' in the Adrian Boult Hall:
“From the unforced steady tread of Mozart’s opening Requiem Aeternam to the closing bars of Haydn’s Dona Nobis Pacem this was an evening of disciplined choral singing, full of concentrated energy with vocal lines at the loudest seemingly carved out of granite, and at the quietest bathed in a vibrant glow”.